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Album Reviews Album Reviews ! Quartet Julian Arg. Martin Archer, Seth Bennett, Corey Mwamba, Peter Fairclough - Sunshine! Quartet Alan Benzie Trio - Travellers' Tales David Berkman - Old Friends And New Friends Sarah Bernstein Quartet - Still / Free Big Bad Wolf - Pond Life The Big Shake Up - The Big Shake Up David Binney - The Time Verses The Bird Architects - The Phantom Power Awakens Adam Birnbaum, Doug Weiss, Al Foster - Three Of A Mind Andy Schumm and The Bix Project Band - Bix Off The Record Samuel Blaser - Spring Rain Blazing Flame - Murmuration Helen Bledsoe and Alexey Lapin - Ghost Icebreaker. Jane Ira Bloom - Early Americans The Michael Blum Quartet - Chasin' Oscar. Bruno Heinen and Kristian Borring - Postcard To Bill Evans Brass Mask - Live.
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Sandy Brown Jazz Album Reviews 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. Nonton film bioskop, series, drama, movie online dengan kualitas HD dan subtitle indonesia. Download anime, korea, mandarin, jepang gratis.
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The Bullingdon Jazz Quartet. The Button Band - Emilie.
CCalifornia Feetwarmers - Silver Seas Andre Canniere - The Darkening Blue Liane Carroll - Seaside Liane Carroll - The Right To Love. Matt Chandler - Astrometrics Phil Chester Group - Open Door Samba Circus FM - Circus FM City Boys Allstars - Personal Thing Eleonora Claps - Stars Martin Archer, Graham Clark, Stephen Grew, Johnny Hunter - Felicity's Ultimatum. Nels Cline - Lovers. Trish Clowes - My Iris Avishai Cohen - Cross My Palm With Silver Ben Cohen - Remembering Ben Cohen Vol. Romain Collin - Press Enter Colours Jazz Orchestra plays the music of Ayn Inserto - Home Away From Home Ken Colyer - Colyer's Pleasure. Alex Webb and the Copasetics - Call Me Lucky Chris Corsano, Sylvie Courvoisier, Nate Wooley - Salt Task Patrick Cornelius - While We're Still Young Chris Corsano, Sylvie Courvoisier, Nate Wooley - Salt Task Matt Criscuolo - Headin' Out Sam Crockatt Quartet - Mells Bells DThe Danish Jazz Quartet - On The Road Jo!
Quartet Richard Fairhurst and John Taylor - Duets Fat- Suit - Atlas Christian Finger - Ananda Nick Finzer - Hear & Now Nick Finzer - The Chase The Clare Fischer Big Band - Pacific Jazz. Clare Fischer - Out Of The Blue Alex Munk and Flying Machines - Flying Machines Adam Birnbaum, Doug Weiss, Al Foster - Three Of A Mind Christian Frank / Deniss Pashkevich Duo - Close Tori Freestone Trio - El Barranco Simon Frick - Solo.
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Zoe Rahman - Dreamland Shez Raja Collective - Gurutopia Jemal Ramirez - Pomponio Sam Rapley - Fabled Buddy Rich - Birdland Matt Ridley Quartet - Mett. This summer Idris Ackamoor & The Pyramids album, We Be All Africans is a treat to savour. Click here to listen to an introduction to the album. Alto sax player Idris Ackamoor formed the original Pyramids with Margo Simmons in the early 1. Mr Ackamoor went on to San Francisco and formed an extensive theatre, music and dance project in the Bay Area which is still operating decades later. The title track is a repeat refrain, as light on the ears as it is on the feet. Track 2 is Epiphany, and for me this is where I could spend a lot of time.
There’s no vocal, this is Idris Ackamoor the saxophone player, bolstered by a band with a big electric bass (it’s not Richard Bona, but it could be), popping space synth, more horns and a chorus of drums which are still echoing Africa. The other central track on this recording points to another strong influence. I will be hanging on to We Be All Africans. At a time when some people want to raise our borders, this joyous affirmation of a “common cradle” of humanity is refreshing. Steve Day www. stevedaywordsandmusic. Back to Top : What's New. Actis Dato Quartet - Earth Is The Place Album Released: 2.
June 2. 01. 5 - Label: Leo Records - Reviewed: September 2. Carlo Actis Dato (tenor & baritone saxophone, bass clarinet); Beppe Di Filippo (soprano & alto saxophone); Matteo Ravizza (double bass); Daniele Bertone (drums, percussion). I’ve always liked Carlo Actis Dato since I first encountered his dexterous horns nearly twenty years ago as part of the magnificent Italian Instabile Orchestra. When his Atipico Trio brought out their recording Allegro Con Brio ((Leo Records CD LR 4. I got to write the liner notes. Carlo Actis Dato has clocked up a large amount of recordings for Leo, he’s also made a stack for the Italian label Splasc(h).
What I do know is this: Earth Is The Place steps out like a brand new reason for bringing out another album. This band has all the vitality of a heady street pageant.
Click here for a short sample. It’s easy to get caught up in the whole joyous paraphernalia of performance that goes with Actis Dato, to the point where it is possible to miss out on the seriously subtle interplay between four musicians of character.
For instance the opening passage of Kerala has double bass and percussion carefully weaving baritone saxophone and soprano saxophone into a melodic thread, as if the two reeds were delicate gold embroidery. Contrast this piece with the opening two tracks Immigrati and Gipsy Cembalon which place the quartet in the mix between samba and tango and a liberal jaunt of calypso.
Carlo Actis Dato and his long time compatriot Beppe Di Filppo can often appear like jokers when in fact their music retains a grounded intent, albeit theatre is never far away. The title Earth Is The Place is a reference to Sun Ra’s Space Is The Place. Another musician whose dress sense and descriptions always belied the Mardi Gra’s procession. For instance the party that opens the first track, Immigrati, has at its central hub a roaringly rejoiner, this twisted tangle of a tenor solo becomes press- ganged by percussion. The pace is never dropped but the dialogue, what is actually coming out of the frontline, is closer to the confessional than these fun and games suggest.
The tactic is also applied to Himba, where what is beaten out is a touch- and- go treasure, hand drum to cymbal, rimshot to brush stroke. In- between all these bright melodies, seemingly bounced straight out of Actis Dato’s head, there is this desire to constantly change tack. It’s impossible to ignore these guys, the implication of the next question is already being asked in what is currently happening.
Click here for a video of the band playing Himba. At just over 7. 0 minutes in length Earth Is The Place is value for money. But it doesn’t feel long for the sake of it. At track 9 we have already gone through the fifty minute mark; 1 2. Sosia Saddam begins with a bowed bass solo, deep dark wood wired. The music cannot possibly stop at this point. As the piece stretches into a longer form there are the sounds of the human voice; shouting, banging, the drum making a mark in the ground, a torn baritone scrap of a repeated melodic fragment is left out in the alto wind like some old prayer flag.
I’m not able to explain Actis Dato’s thinking behind this piece, explanation is not necessary, it is compelling listening. The very final track, number 1. Titled Shadows, it evolves a final drum kit tour- de- force from Daniele Bertone. Again the piece feels purposeful, as if it has to be included.
Behind the intense batterie of percussion the horns evoke an Albert Ayler refrain, the whole thing twists and turns into a I- feel- finished finale. An honourable ending to another deliciously maverick recording. Carlo Actis Dato is a one off, there’s nobody else who quite does it the Dato way. Humour, sure, quirky, undoubtedly, but that stuff always leads somewhere else, plus his bass clarinet and baritone sax can crack open a joke and reveal a harder centre.
If the Carlo Actis Dato Quartet is new to you I recommend going straight to Earth Is The Place. Other planets may be available at a later date. Click here for a video of the band rehearsing Albania.
Click here for details and the track listing. The music is great and the musicians playing it are all also great. They are Harry Allen (tenor saxophone), Ehud Asherie (piano), Nicki Parrott (bass and vocals), Chuck Redd (drums and vibraphone) and special guest on 3 of the tracks, . I can honestly say that there are no tracks on this recording that are not as good as others, I have played this album a number of times and have failed to find anything that is not played to an excellent standard. Harry Allen plays a very muscular style of saxophone and is equally at home on up beat numbers as well as the ballads. The choice of tracks is interesting, Ellington's Purple Gazelle and Gershwin's By Strauss are two examples, they are compositions that do not get recorded very often.